Honestly, I didn’t listen to J. Cole’s debut album, Cole World. Oh, I’m a fan of his, many would argue, classic mixtapes (as classic as a mixtape could be): The Come Up, The Warm Up, and Friday Night Lights.
But none of the singles from his album moved, touched, or inspired me
like so many of his previous tracks. In fact, his songs were too
structured and felt soulless; so, I decided to skip the album all
together. I didn’t even download it; I didn’t want to hear him flop
after falling off.
Once
again, Jay-Z sets a new bar (not lyrically, but maybe sonically or
financially: platinum before the album dropped, never done before) with
his latest offering Magna Carta Holy Grail. Don’t believe me, pay
attention to the black bar through his name and on the artistically
statuesque cover, no coincidence. Additionally, the title of the album
proclaims a new set of rules will be established, a la Magna Carta,
while people search for their Holy grail (cue Dan Brown’s The Da Vinci
Code).
When “Yeezus” first sprang a leak, the internets rushed and gulped it
down. Forwarded emails, containing various links to wet transfer and
other file sharing sites, were excitedly opened to hear the new Yeezy
“Yeezus.” Like many, I downloaded it, but I didn’t listen. Nope.
Instead, I went to Twitter, the source of all news and tomfoolery, and
looked at the up to date reviews of the barely five minute old
unofficial release. And the good folks of Twitter-verse lambasted
Yeezus, throwing stone after rock towards this ten-track opus. These
one listen reviews were funny as many proclaimed that Yeezy finally
missed, ruining his streak of classic albums. As a result, naming Yeezus
the official weed plate (though at the time, no one had a physical copy
of the album) of the summer.